Sunday, November 25, 2012

Isle of Wight Festival 1970 (documentary)


The 1970 Isle of Wight Festival was held between 26 and 31 August 1970 at East Afton Farm an area on the western side of the Isle of Wight. It was the last of three consecutive music festivals to take place on the island between 1968 and 1970 and widely acknowledged as the largest musical event of its time, greater than the attendance of Woodstock.
 Although estimates vary, the Guinness Book of Records estimated 600,000, possibly 700,000 people attended. It was organised and promoted by local brothers, Ronnie, Ray and Bill Foulk. Ron Smith was site manager and Rikki Farr acted as compere.


The preceding Isle of Wight Festivals, also promoted by the Foulks, had already gained a good reputation in 1968 and 1969 by featuring acts such as Jefferson Airplane, T. Rex, The Move, The Pretty Things, Joe Cocker, The Who and Bob Dylan in his first performance since his 1966 motorcycle accident.



The 1970 version, following Woodstock in the previous year, set out to move one step forward and enlisted Jimi Hendrix. With Hendrix confirmed, artists such as Chicago, The Doors, The Who, Miles Davis, Joan Baez, Joni Mitchell, Jethro Tull, Sly & the Family Stone, Ten Years After, Emerson, Lake & Palmer and Free willingly took up the chance to play there. The event had a magnificent but impractical site, since the prevailing wind blew the sound sideways across the venue, and the sound system had to be augmented by Pink Floyd's PA. There was a strong, but inconsistent line up, and the logistical nightmare of transporting 600,000 people onto an island with a population of less than 100,000.


An impression:




FILM Award winning director Murray Lerner distilled material from the festival into the film "Message to Love: The Isle of Wight Festival" released theatrically in 1996 and subsequently on DVD. The film puts a negative slant on the 1970 event by splicing in footage of violent incidents preceding the festival itself. Chief Constable, Hampshire Constabulary, Sir Douglas Osmond emphasised the peaceful nature of the event in his evidence given to the Stevenson Report, 1971, (submitted to parliament as evidence in favour of future Isle of Festivals) "...By the end of the festival the press representatives became almost desperate for material and they seemed a little disappointed that the patrons had been so well behaved."



The documentary:




Performances:



Wednesday 26th:

Judas Jump: A heavy progressive rock band featuring Andy Bown and Henry Spinetti of The Herd and Allan Jones of Amen Corner.
Kathy Smith: A Californian singer-songwriter, signed to Richie Havens' label, "Stormy Forest", was well received.
Rosalie Sorrels: Another folk musician, accompanied by...
David Bromberg: Bromberg was not on the bill, but he performed a popular set.
Redbone: Native American pop/rock outfit.
Kris Kristofferson: Performed a controversial set. Due to poor sound, the audience was unable to hear his set, and it appeared that they were jeering him. He was eventually booed off the stage.
Mighty Baby: psychedelic rock band.


Thursday 27th:

Gary Farr: The brother of Rikki Farr, Gary had been the front man of the T-Bones, an R&B combo that featured Keith Emerson on keyboards. By this time, he had become a solo artist.
Supertramp: Their debut album had just been released a month prior to the festival.
Andy Roberts' Everyone:
Howl (band): Scottish hard-rock band formerly known as "The Stoics", featuring Frankie Miller
Black Widow: a British band that wrote songs about Satan worship in their 1970 debut LP, "Sacrifice".
The Groundhogs: English blues rockers
Terry Reid: The English singer performed with David Lindley. 
Gilberto Gil and Caetano Veloso: Brazilian musicians, playing to a frenzied audience.
Gracious: British Progressive Rock Band.


Friday 28th:

Fairfield Parlour: They had recorded a single called "Let The World Wash In", released under the name I Luv Wight, which they hoped would become the festival's theme song. They had also previously recorded as Kaleidoscope.
Arrival: Their set, which included a Leonard Cohen cover, was well received.
Lighthouse: This popular Canadian act performed two sets at the festival.
Taste: Legendary guitarist Rory Gallagher had a blues trio from 1968 to 1970. This was one of their final shows, which was filmed and recorded. An album, Live at the Isle of Wight, was released of their set in 1971.
Tony Joe White: Performed hits including Polk Salad Annie; his drummer was Cozy Powell. 
Chicago: Their set, including "25 or 6 to 4," "Beginnings" and "I'm a Man," was a highlight of the night.
Family:
Procol Harum: Frontman Gary Brooker commented that it was a cold night.
Voices of East Harlem: Their set received several standing ovations. Not actually a band, but a bunch of singing school children from Harlem.
Cactus: Two songs from their set were featured on the LP The First Great Rock Festivals Of The Seventies.
Mungo Jerry were there but decided not to play


Saturday 29th:

John Sebastian: Performed an 80-minute set, during which former Lovin' Spoonful guitarist Zal Yanovsky, made a surprise guest appearance.
Shawn Phillips: American folk musician performed an impromptu solo set following John Sebastian.
Lighthouse (second set)
Joni Mitchell: Played a controversial set; Following her performance of "Woodstock", a hippie named Yogi Joe interrupted her set to make a speech about Desolation Row. When Joe was hauled off by Joni's manager, the audience began to boo until Mitchell made an emotional appeal to them for some respect for the performers.  Contrary to popular belief, Joe was not the man who was ranting about a "psychedelic concentration camp". That was another incident that took place the previous day. After the crowd quieted down, Mitchell closed her set with "Big Yellow Taxi"
Tiny Tim: His rendition of "There'll Always Be an England" can be seen in the film Message to Love.
Miles Davis: A DVD of his complete set was released in 2004.
Ten Years After: British blues rockers performing what was basically a reproduction of their famous Woodstock set. 
Emerson, Lake & Palmer: This was their second gig. Pictures at an Exhibition, which featured the Moog synthesizer was the centerpiece of their historic set. Commercially released as Emerson, Lake and Palmer Live at the Isle of Wight Festival 1970 in 1997.
The Doors: Their set was shrouded in darkness due to Jim Morrison's unwillingness to have movie spotlights on the band. Their performances of "The End" and "When the Music's Over" are featured in Message to Love.
The Who: Their entire set, including the rock opera Tommy, was released in 1996 on CD (Live at the Isle of Wight Festival 1970). Three years later their set appeared on DVD with significant cuts from Tommy and a few other songs (such as "Naked Eye") missing. In addition, the DVD song set order was radically altered to present Tommy as if having been performed at the second-half of the concert (with "See Me, Feel Me"/"Listening to You" as the conclusion), when, in fact, Tommy was performed in the middle of their lengthy set, and the closing title was "Magic Bus", which concluded some Who concerts at that time. A 2006-reissued DVD of the concert retains the altered order, despite having been personally "supervised" by Who guitarist and songwriter Peter Townshend.
Sly & the Family Stone: The showstoppers of Woodstock performed to a tired audience on the early morning of Sunday. However, the audience woke up for spirited renditions of "I Want to Take You Higher", "Dance to the Music" and "Thank You (Falettinme Be Mice Elf Agin)", which featured Sly on guitar. Prior to their encore, another political militant decided it was time to make a speech, and the booing audience started to throw beer cans onto the stage. Freddie Stone was hit by a flying can and an angry Sly decided to skip the encore. He did promise a second appearance, but this never occurred.
Melanie: This Woodstock veteran played a well-received set as the sun rose. Prior to her set, Keith Moon of The Who offered her some moral support and encouragement. Not until afterwards did Melanie realize who he was. Her performance of her own song, 'What Have They Done to My Song Ma' was included in a 2010 French documentary, spanning the 1970 and 2010 I.O.W. festivals, called 'From Wight to Wight' and first shown on TV station ARTE, on 30/07/2010.


Sunday 30th:

Good News: American acoustic duo.
Kris Kristofferson (Second set)
Ralph McTell: Despite an enthusiastic reception from the audience, he did not play an encore, and the stage was cleared for Donovan.
Heaven: English answer to Chicago and Blood Sweat & Tears
Free: Their set list consisted of "Ride on a Pony", "Mr. Big", "Woman", "The Stealer", "Be My Friend", "Fire & Water", "I'm a Mover", "The Hunter", their classic hit "All Right Now", and concluded with a cover of Robert Johnson's "Crossroads".
Donovan: He first performed an acoustic set, and then an electric set with his band Open Road.
Pentangle: British folk combo. A German woman interrupted their set to deliver a political message to the audience.
The Moody Blues: A popular British act and veteran of the 1969 festival. Their rendition of "Nights in White Satin" can be seen in Message to Love : Their set is featured on Threshold of A Dream Live at the Isle of Wight 1970.
Jethro Tull: Their set is featured on Nothing Is Easy: Live at the Isle of Wight 1970. 
Jimi Hendrix: The star of the festival performed in the early hours of 31 August with Mitch Mitchell on drums and Billy Cox on bass. His set has been released on CD and video in various forms. In the beginning Hendrix had technical problems, which at one point during "Machine Gun" involved the security's radio signal interfering with his amp's output. David Gilmour from Pink Floyd has confirmed that he watched this Hendrix concert.
Joan Baez: Her version of "Let It Be" can be seen in the film Message to Love.
Leonard Cohen: Backed by his band The Army, his tune "Suzanne" can be seen in the film Message to Love. In October 2009 audio and video (both DVD and Blu-ray) recording of his set, Live at the Isle of Wight 1970 was released.
Richie Havens: The musician who opened Woodstock closed this festival with a set during the morning of 31 August. As Havens performed his version of "Here Comes the Sun", a cloudy dawn broke, so he changed the lyrics to "Here Comes the Dawn". Havens' set, which is available as an audience recording, also included "Maggie's Farm" by Bob Dylan, "Freedom", "Minstrel from Gault" and the Hare Krishna mantra.



Source: http://en.wikipedia.org/wiki/Isle_of_Wight_Festival_1970

More info: http://www.ukrockfestivals.com/iow-menu.html
                 http://www.ukrockfestivals.com/iow1970menu.html

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