Showing posts with label Frank Zappa. Show all posts
Showing posts with label Frank Zappa. Show all posts
Sunday, March 24, 2013
Tuesday, February 19, 2013
Classic Albums (The Making Of) / Frank Zappa - Over-nite Sensation (1973) and Apostrophe (') (1974)
Classic Albums - Frank Zappa: Over-nite sensation / Apostrophe (') (1973/1974)
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Over-Nite Sensation is the seventeenth studio album by Frank Zappa and The Mothers of Invention. Released on September 7, 1973, it was followed by Zappa's solo album Apostrophe (') (1974), which was recorded during the same sessions.
Frank Zappa wanted to use backup singers on the songs "I'm the Slime", "Dirty Love", "Zomby Woof", "Dinah-Moe Humm" and "Montana". His road manager suggested The Ikettes, and Ike & Tina Turner were contacted. Ike Turner insisted that Zappa pay the singers, including Tina Turner, no more than $25 per song. During the recording sessions, Tina brought Ike into the studio to hear one of her recordings with Zappa. Ike listened to the tape and responded "What is this shit?" before leaving the studio. Ike later insisted that Zappa would not credit the Ikettes on the released album.
The recording sessions, which produced Over-Nite Sensation also produced Zappa's followup, Apostrophe (') (1974), released as a solo album rather than a Mothers of Invention release.
More info about the album: http://en.wikipedia.org/wiki/Over-Nite_Sensation
Apostrophe (') is an album by Frank Zappa, his eighteenth, released on March 22, 1974 in both stereo and quadraphonic formats. An edited version of its lead-off track, "Don't Eat the Yellow Snow", was Zappa's first chart single, reaching position 86. Apostrophe (') remains Zappa's biggest commercial success in the US. It was certified Gold by the RIAA on April 7, 1976. The album also peaked at number 10 on the Billboard Charts, and would end up becoming Zappa's highest-charting album.
Continuing from the commercial breakthrough of Over-Nite Sensation (1973), this album is a similar mix of short songs showcasing Zappa's humor and musical arrangements. The record's lyrical themes are often bizarre or obscure, with the exception of "Uncle Remus", which is an extension of Zappa's feelings on racial disharmony featured on his earlier song "Trouble Every Day".
More info about the album: http://en.wikipedia.org/wiki/Apostrophe_(%27)
Part 1:
Part 2:
Part 3:
Part 4:
Part 5:
Over-Nite Sensation is the seventeenth studio album by Frank Zappa and The Mothers of Invention. Released on September 7, 1973, it was followed by Zappa's solo album Apostrophe (') (1974), which was recorded during the same sessions.
Frank Zappa wanted to use backup singers on the songs "I'm the Slime", "Dirty Love", "Zomby Woof", "Dinah-Moe Humm" and "Montana". His road manager suggested The Ikettes, and Ike & Tina Turner were contacted. Ike Turner insisted that Zappa pay the singers, including Tina Turner, no more than $25 per song. During the recording sessions, Tina brought Ike into the studio to hear one of her recordings with Zappa. Ike listened to the tape and responded "What is this shit?" before leaving the studio. Ike later insisted that Zappa would not credit the Ikettes on the released album.
The recording sessions, which produced Over-Nite Sensation also produced Zappa's followup, Apostrophe (') (1974), released as a solo album rather than a Mothers of Invention release.
More info about the album: http://en.wikipedia.org/wiki/Over-Nite_Sensation
Apostrophe (') is an album by Frank Zappa, his eighteenth, released on March 22, 1974 in both stereo and quadraphonic formats. An edited version of its lead-off track, "Don't Eat the Yellow Snow", was Zappa's first chart single, reaching position 86. Apostrophe (') remains Zappa's biggest commercial success in the US. It was certified Gold by the RIAA on April 7, 1976. The album also peaked at number 10 on the Billboard Charts, and would end up becoming Zappa's highest-charting album.
Continuing from the commercial breakthrough of Over-Nite Sensation (1973), this album is a similar mix of short songs showcasing Zappa's humor and musical arrangements. The record's lyrical themes are often bizarre or obscure, with the exception of "Uncle Remus", which is an extension of Zappa's feelings on racial disharmony featured on his earlier song "Trouble Every Day".
More info about the album: http://en.wikipedia.org/wiki/Apostrophe_(%27)
Sunday, January 6, 2013
Frank Zappa - A day with Frank Zappa 1971 (documentary)
A day with Frank Zappa
A documentary made by VPRO television in Holland in 1971.
Directed by Roelof Kiers.
Sound recording owned by UMG.
Thursday, January 3, 2013
Frank Zappa - A pioneer of Future Music (documentary)
A Frank Scheffers documentary, as broadcast by VPRO in the Netherlands April 2007.
Source: YouTube
Source: YouTube
ALBUM OF THE WEEK / Frank Zappa - Hot Rats (1969)
Frank Zappa - Hot Rats (1969)
Track listing:
(All songs are written and composed by Frank Zappa)
Side one :
1. "Peaches en Regalia" 3:38
2. "Willie the Pimp" 9:25
3. "Son of Mr. Green Genes" 8:58
Side two:
4. "Little Umbrellas" 3:09
5. "The Gumbo Variations" 12:55
6. "It Must Be a Camel" 5:15
Hot Rats is the second solo album by Frank Zappa. It was released in October 1969. Five of the six songs are instrumental ("Willie the Pimp" features a short vocal by Captain Beefheart). It was Zappa's first recording project after the dissolution of the original Mothers of Invention. In his original sleeve notes Zappa described the album as "a movie for your ears."
Because Hot Rats focuses on instrumental jazz-like compositions with extensive soloing, the music sounds very different from earlier Zappa albums, which featured satirical vocal performances with extensive use of musique concrète and editing. Multi-instrumentalist Ian Underwood is the only member of the Mothers to appear on the album and was the primary musical collaborator. Other featured musicians were Max Bennett and Shuggie Otis on bass, drummers John Guerin, Paul Humphrey & Ron Selico, and electric violinists Don "Sugarcane" Harris and Jean-Luc Ponty.
This was the first Frank Zappa album recorded on 16-track equipment and one of the first albums to use this technology. Machines with 16 individual tracks allow for much more flexibility in multi-tracking and overdubbing than the professional 4- and 8-track reel-to-reel tape recorders that were standard in 1969.
The album was dedicated to Zappa's newborn son, Dweezil Zappa. In February 2009, the son's band, Zappa Plays Zappa, won a Grammy for Best Rock Instrumental Performance for their rendition of "Peaches en Regalia."
In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came #13 in its list of "40 Cosmic Rock Albums". It was also included in the book "1001 Albums You Must Hear Before You Die".
Music:
Zappa composed, arranged and produced the album himself. His primary instrument on the album is lead guitar. "Willie the Pimp", "Son of Mr. Green Genes", and "The Gumbo Variations" are showcases for his powerful and unconventional solo guitar performances. Four of the tracks have intricately arranged charts featuring multiple overdubs by Ian Underwood. Underwood plays the parts of approximately eight to ten musicians, often simultaneously. His work includes complicated sections of piano and organ, as well as multiple flutes, clarinets and saxophones.
"Peaches en Regalia"
The opening track on Hot Rats is considered to be one of Zappa's most enduring compositions, and has been covered by many artists.
The song "Peaches en Regalia" is widely recognized as a modern jazz fusion standard and is one of Zappa's best known tunes. Zappa plays a short octave-bass solo. Underwood contributes flute and multiple saxophone, clarinet and keyboard parts. Zappa later re-recorded the song several times in live performances. It has been re-interpreted by many other jazz and rock artists, including Phish, the Dixie Dregs, and Frogg Café.
"Willie the Pimp"
Van Vliet's idiosyncratic vocal on Zappa's "Willie the Pimp" was among their collaborations.
"Willie the Pimp" is a blues-rock tune. It has violin by Don "Sugarcane" Harris and guitar solos by Zappa in what appear to be loose jams, though the performances were edited before release. This song features vocals by Zappa's longtime friend and collaborator Captain Beefheart. The title Hot Rats comes from the lyric of this song.
"Son of Mr. Green Genes" is an instrumental re-arrangement of the song Mr. Green Genes from the Mothers album Uncle Meat. The unusual title of this song led to an urban legend that Frank Zappa was related to the character Mr. Green Jeans from the television show Captain Kangaroo. This is the only song on the album to feature both intricate horn charts and extended guitar solo sections.
"Little Umbrellas" is similar in style to "Peaches", another short carefully arranged tune with numerous keyboard and wind overdubs by Underwood.
"The Gumbo Variations" also is a jam performance which was edited for the LP. In addition to the Zappa solo, it features a tenor saxophone solo by Underwood and violin solo by Don "Sugarcane" Harris.
"It Must Be a Camel" is also an intricately arranged tune with numerous wind and keyboard overdubs by Underwood. The very unusual melody of this song is highly rhythmic and often makes large melodic leaps. The title may come from the fact that these leaps resemble "humps" when written on paper. The recording contains a violin performance by Jean-Luc Ponty.
A recording from the Hot Rats sessions titled "Bognor Regis" was set to be released on the B-side of an edited version of "Sharleena", a track from the 1970 Zappa album Chunga's Revenge. The single release was canceled, however, an acetate disc copy was leaked to the public and the track has appeared on Zappa bootlegs. The song was named after Bognor Regis, a town on the south coast of England. Musically, "Bognor Regis" is a basic blues instrumental with electric violin solo by Don "Sugarcane" Harris. Another track recorded during these sessions, titled "Twenty Small Cigars", was later released on Chunga's Revenge.
More info: http://en.wikipedia.org/wiki/Hot_Rats
Personnel:
Frank Zappa – electric guitar, percussion, octave bass
Ian Underwood – organ, clarinet, flute, piano, saxophone
also featuring
Max Bennett – bass on all tracks except "Peaches en Regalia"
Captain Beefheart – vocals on "Willie the Pimp"
John Guerin – drums on "Willie the Pimp", "Little Umbrellas" and "It Must Be a Camel"
Don "Sugarcane" Harris – violin on "Willie the Pimp" and "The Gumbo Variations"
Paul Humphrey – drums on "Son of Mr. Green Genes" and "The Gumbo Variations"
Shuggie Otis – bass on "Peaches en Regalia"
Jean-Luc Ponty – violin on "It Must Be a Camel"
Ron Selico – drums on "Peaches en Regalia"
Lowell George - guitar (uncredited)[12]
Harvey Shantz – Snorks
Track listing:
(All songs are written and composed by Frank Zappa)
Side one :
1. "Peaches en Regalia" 3:38
2. "Willie the Pimp" 9:25
3. "Son of Mr. Green Genes" 8:58
Side two:
4. "Little Umbrellas" 3:09
5. "The Gumbo Variations" 12:55
6. "It Must Be a Camel" 5:15
Hot Rats is the second solo album by Frank Zappa. It was released in October 1969. Five of the six songs are instrumental ("Willie the Pimp" features a short vocal by Captain Beefheart). It was Zappa's first recording project after the dissolution of the original Mothers of Invention. In his original sleeve notes Zappa described the album as "a movie for your ears."
Because Hot Rats focuses on instrumental jazz-like compositions with extensive soloing, the music sounds very different from earlier Zappa albums, which featured satirical vocal performances with extensive use of musique concrète and editing. Multi-instrumentalist Ian Underwood is the only member of the Mothers to appear on the album and was the primary musical collaborator. Other featured musicians were Max Bennett and Shuggie Otis on bass, drummers John Guerin, Paul Humphrey & Ron Selico, and electric violinists Don "Sugarcane" Harris and Jean-Luc Ponty.
This was the first Frank Zappa album recorded on 16-track equipment and one of the first albums to use this technology. Machines with 16 individual tracks allow for much more flexibility in multi-tracking and overdubbing than the professional 4- and 8-track reel-to-reel tape recorders that were standard in 1969.
The album was dedicated to Zappa's newborn son, Dweezil Zappa. In February 2009, the son's band, Zappa Plays Zappa, won a Grammy for Best Rock Instrumental Performance for their rendition of "Peaches en Regalia."
In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came #13 in its list of "40 Cosmic Rock Albums". It was also included in the book "1001 Albums You Must Hear Before You Die".
Music:
Zappa composed, arranged and produced the album himself. His primary instrument on the album is lead guitar. "Willie the Pimp", "Son of Mr. Green Genes", and "The Gumbo Variations" are showcases for his powerful and unconventional solo guitar performances. Four of the tracks have intricately arranged charts featuring multiple overdubs by Ian Underwood. Underwood plays the parts of approximately eight to ten musicians, often simultaneously. His work includes complicated sections of piano and organ, as well as multiple flutes, clarinets and saxophones.
"Peaches en Regalia"
The opening track on Hot Rats is considered to be one of Zappa's most enduring compositions, and has been covered by many artists.
The song "Peaches en Regalia" is widely recognized as a modern jazz fusion standard and is one of Zappa's best known tunes. Zappa plays a short octave-bass solo. Underwood contributes flute and multiple saxophone, clarinet and keyboard parts. Zappa later re-recorded the song several times in live performances. It has been re-interpreted by many other jazz and rock artists, including Phish, the Dixie Dregs, and Frogg Café.
"Willie the Pimp"
Van Vliet's idiosyncratic vocal on Zappa's "Willie the Pimp" was among their collaborations.
"Willie the Pimp" is a blues-rock tune. It has violin by Don "Sugarcane" Harris and guitar solos by Zappa in what appear to be loose jams, though the performances were edited before release. This song features vocals by Zappa's longtime friend and collaborator Captain Beefheart. The title Hot Rats comes from the lyric of this song.
"Son of Mr. Green Genes" is an instrumental re-arrangement of the song Mr. Green Genes from the Mothers album Uncle Meat. The unusual title of this song led to an urban legend that Frank Zappa was related to the character Mr. Green Jeans from the television show Captain Kangaroo. This is the only song on the album to feature both intricate horn charts and extended guitar solo sections.
"Little Umbrellas" is similar in style to "Peaches", another short carefully arranged tune with numerous keyboard and wind overdubs by Underwood.
"The Gumbo Variations" also is a jam performance which was edited for the LP. In addition to the Zappa solo, it features a tenor saxophone solo by Underwood and violin solo by Don "Sugarcane" Harris.
"It Must Be a Camel" is also an intricately arranged tune with numerous wind and keyboard overdubs by Underwood. The very unusual melody of this song is highly rhythmic and often makes large melodic leaps. The title may come from the fact that these leaps resemble "humps" when written on paper. The recording contains a violin performance by Jean-Luc Ponty.
A recording from the Hot Rats sessions titled "Bognor Regis" was set to be released on the B-side of an edited version of "Sharleena", a track from the 1970 Zappa album Chunga's Revenge. The single release was canceled, however, an acetate disc copy was leaked to the public and the track has appeared on Zappa bootlegs. The song was named after Bognor Regis, a town on the south coast of England. Musically, "Bognor Regis" is a basic blues instrumental with electric violin solo by Don "Sugarcane" Harris. Another track recorded during these sessions, titled "Twenty Small Cigars", was later released on Chunga's Revenge.
More info: http://en.wikipedia.org/wiki/Hot_Rats
Personnel:
Frank Zappa – electric guitar, percussion, octave bass
Ian Underwood – organ, clarinet, flute, piano, saxophone
also featuring
Max Bennett – bass on all tracks except "Peaches en Regalia"
Captain Beefheart – vocals on "Willie the Pimp"
John Guerin – drums on "Willie the Pimp", "Little Umbrellas" and "It Must Be a Camel"
Don "Sugarcane" Harris – violin on "Willie the Pimp" and "The Gumbo Variations"
Paul Humphrey – drums on "Son of Mr. Green Genes" and "The Gumbo Variations"
Shuggie Otis – bass on "Peaches en Regalia"
Jean-Luc Ponty – violin on "It Must Be a Camel"
Ron Selico – drums on "Peaches en Regalia"
Lowell George - guitar (uncredited)[12]
Harvey Shantz – Snorks
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