Genesis, live at the Bataclan, Paris, 01/10/1973, 16mm master.
(From YT: ikhnaton:
Well, I think it's time to release this film. In collaboration with the Genesis Museum, I present to you: Genesis, live at the Bataclan, Paris, 01/10/1973, 16mm master.
Martha Wainwright's soaring yet delicate harmonies take center stage in her performance of elegy "Proserpina," written by her late mother, the legendary folk singer Kate McGarrigle, in filmmaker Matthu Placek's intimate video.
Taken from her forthcoming album Come Home to Mama, the track was recorded in Sean Lennon's New York home studio and continues a lifelong musical dialogue between Wainwright and McGarrigle, who passed away in 2010. "It's the last song my mother wrote, and of course I also think that she wrote it for me, and for Rufus," explains Wainwright, referring to her critically acclaimed crooner brother, Rufus Wainwright. "We wrote songs together, ever since we were children. As we sing her songs, I think her voice can be heard in ours, literally through our pipes." Placek's single-take film was inspired by the premise of "Proserpina," which recounts the story of the creation of the seasons by the Roman goddess Ceres, who withholds the world's bounty for six months every year in protest about her daughter's abduction by Pluto, lord of the underworld. "It's all about Martha's performance," says the director, who has also produced music videos for Trixie Whitley and Hannah Cohen. "Martha's vocal range is insane, it's outrageous—I've never seen anyone like her."
After writing his first opera, renowned singer-songwriter Rufus Wainwright returns to our studio to perform songs from his new album, "All Days Are Nights": Songs for Lulu on our piano. He joins us on Morning Becomes Eclectic.
Frumpy was a German progressive rock/krautrock band based in Hamburg, which was active between 1970–1972 and 1990–1995. Formed after the break-up of folk rockers The City Preachers, Frumpy released four albums in 1970–1973 and achieved considerable commercial success. The German press hailed them as the best German rock band of their time and their vocalist Inga Rumpf as the "greatest individual vocal talent" of the contemporary German rock scene. They disbanded in 1972 although the various members all worked together at various times over the following two decades and they reunited again in 1989, producing three more albums over five years after which they disbanded once more.
Years active: 1970 -1972, 1990 -1995
Formation:
All of the band members met as performers with Germany's first folk rock band The City Preachers [de], formed by Irishman John O'Brien-Docker in Hamburg in 1965. In 1968, the band had split, with O'Brien-Docker and several other members parting company. Singer Inga Rumpf, a distinctive "un-feminine" sounding vocalist often compared favourably with Janis Joplin, continued to use the band name with a line-up including drummer Udo Lindenberg, singer Dagmar Krause, French organist Jean-Jacques Kravetz and bassist Karl-Heinz Schott. In the spring of 1969, Lindenberg left to pursue a solo career and was replaced by Carsten Bohn, who by November that year had grown disappointed with Krause and called for the band to pursue a new creative direction, "a fusion of rock, blues, classical, folk and psychedelic."
Reforming in March 1970 as Frumpy (a play on Rumpf's surname inspired by seeing the word "frumpy" in a CBS record catalogue) the new line-up of Rumpf, Bohn, Kravetz and Schott debuted at the Essen International Pop & Blues Festival in April 1970, where two of their songs "Duty" and "Floating" were recorded and released on the live compilation album Pop & Blues Festival '70. This was followed by more tour dates in France, Germany and the Netherlands, an appearance at the Kiel Progressive Pop Festival in July 1970, and at the Open Air Love & Peace Festival at Fehmarn, September 6, 1970.
Recordings:
They recorded their debut album "All Will Be Changed" in August 1970. To promote the album the band embarked on a fifty-night German tour with Spooky Tooth, as well as playing supporting slots with Yes, Humble Pie and Renaissance. The album received both critical acclaim and commercial success.
Initially the band played without a guitarist, which was unusual in the rock genre, and the band instead made great use of Kravetz's "spacey organ excursions" and his powerful Leslie Rotating Speaker System, a sound modification and frequency modulation device. Rumpf said: "In the beginning we were happy enough as a quartet. I played and composed exclusively on an acoustic guitar. It was only later that we began to write songs that called for a guitar." In 1971, just before the band started recording their second album, called simply 2, they recruited former Sphinx Tush guitarist Rainer Baumann to the line-up. The album, "heavier and more mature progressive rock with classical overtones in Kravetz's organ ([and] occasionally mellotron) work," repeated the success of the first, and gave the band a hit single with "How the Gipsy Was Born", which would become their "signature tune." The German music magazine Musikexpress dubbed Frumpy as the best German rock act of the year, while Inga Rumpf, variously described as "smoky", "demonic" and "roaring," was declared by national newspaper Frankfurter Allgemeine Zeitung to be the "greatest individual vocal talent" of the German rock scene so far.
Henrik Freischlader (born 3 November 1982) is a German blues guitarist, singer-songwriter, producer, and autodidactic multi-instrumentalist from Wuppertal, Germany. He has been the supporting act for Joe Bonamassa, B.B. King, the late Gary Moore, Peter Green, Johnny Winter and other blues legends.
His style of music cannot be considered pure blues. He often blends in musical styles such as rock, jazz, soul, and funk, even though blues is the basis of all of his songs. His guitar-playing is influenced by Gary Moore, Stevie Ray Vaughan, B.B. King, Peter Green, Albert Collins and Albert King. As he grew up, Freischlader taught himself how to play drums, bass guitar, guitar and other instruments.
Since his first album, Henrik Freischlader has been using Realtone amplifiers culminating in a signature amp. Freischlader's main guitar is a Haar Stratocaster copy in sunburst that has a Fender decal on its headstock. Further, he uses various Gibson Les Pauls and a Fender Telecaster.
During his teenage years, he started his career as a blues guitarist and singer in bands such as Lash and Bluescream. In 2004, he formed the Henrik Freischlader Band and released his first album The Blues in 2006.
Paul Francis Kossoff (14 September 1950 – 19 March 1976) was an English blues rock guitarist. He was most notably a member of the band Free.
Back Street Crawler is the first solo album by Paul Kossoff. The same year as Free's demise, Kossoff was able to pull himself together, moderating his drug addiction enough to record a solo album, Back Street Crawler, which surprisingly featured contributions from his former Free bandmates as well as Yes drummer Alan White. Original release, 1973.
Molten Gold is not, as has been alleged, a Free reunion; it is a 1972 outtake from the Free album Free At Last, with overdubs.
Time Away features three-fifths of the Mk II Free lineup (Kossoff, Kirke, Tetsu) plus 70s songwriter-guitarist John Martyn, who would in 1975 invite Kossoff to guest on his own tour. The collaboration can be heard on expanded editions of Martyn’s Live At Leeds album.
JANIS: LITTLE GIRL BLUE- Janis Joplin Documentary with dir. Amy Berg
This is the new Janis Joplin documentary that explores the life and music of the psychedelic queen of the blues. Director Amy Berg shares the film with clips and the trailer, discusses Janis on the Dick Cavett show, and also details her collaboration with Cat Power on the film. The sexual and social impact of Joplin, and the progression of the film from early stages to its premiere is all explored, and we also revisit Berg’s work PROPHET’S PREY, with Ondi Timoner on BYOD.
FILM AND GUEST INFO:
Oscar-nominated documentarian Amy Berg examines the meteoric rise and untimely fall of one of the most revered and iconic rock ‘n’ roll singers of all time: Janis Joplin. Joplin’s life story is revealed for the first time on film through electrifying archival footage, revealing interviews with friends and family and rare personal letters, presenting an intimate and insightful portrait of a bright, complicated artist who changed music forever.