Sunday, March 31, 2013

Krautrock - The Rebirth of Germany (Documentary)

Krautrock - The Rebirth of Germany 


BBC Four:

Documentary which looks at how a radical generation of musicians created a new German musical identity out of the cultural ruins of war.
Between 1968 and 1977 bands like Neu!, Can, Faust and Kraftwerk would look beyond western rock and roll to create some of the most original and uncompromising music ever heard. They shared one common goal - a forward-looking desire to transcend Germany's gruesome past - but that didn't stop the music press in war-obsessed Britain from calling them Krautrock.




Music played:

1. Popol Vuh — Aguirre I L'acrime de Rey
2. Jimi Hendrix — All Along the Watchtower
3. Richard Wagner — Siegfried's Funeral Music
4. Amon Düül II — Kannan
5. Amon Düül II — Luzifer's Ghilom
6. Popol Vuh — Wehe Khorazin
7. Popol Vuh — Aguirre II
8. Tangerine Dream — Phaedra
9. Cluster — Fur Die Katz
10. Tangerine Dream — Fly and collision of Cosmo Sola
11. CAN — Mother Sky
12. CAN — Vitamin C
13. Kraftwerk — Autobahn
14. Neu! — Hallogallo
15. Faust — Krautrock
16. Kraftwerk — Showroom Dummies
17. Kraftwerk — Geiger Counter
18. Kraftwerk — Radioactivity
19. Harmonia — Watussi
20. David Bowie — A New Career in a New Town

Friday, March 29, 2013

Orange Bicycle (psych pop / UK)

Orange Bicycle was an English Psychedelic pop band, which existed from 1967 to 1970. The band played a style influenced by The Beach Boys, The Beatles, The Rolling Stones and the hippie culture. Earlier in time, they also acted as support and backing band for the duo Paul and Barry Ryanas well as completing sessions for other vocalist and recorded in excess of one hundred (100) BBC Radio One sessions and UK TV.


Starting life as a skiffle group from Crouch End London in 1959, the start of the rock ‘n' roll movement at the 2 I’s and other coffee bars in Soho, convinced the group to move to electric guitars and drums becoming 'Robb Storm and Whispers' in the transition.
In 1960 the group won a recording contract with Decca having impressed at a competition called the Soho Fair. 

The group recorded several singles for the label without much success although their live performances were highly praised and they continued to tour the U.K.

Early members of the group were Robb Scales (lead vocals) Jim St. Pier (saxophone) Chuck Hardy (Guitar) Gary Hooper (Bass) and Lewis Collins (Bass) who later went on to gain fame in the TV series The Professionals.


In 1964, Robb Storm and the Whispers were widely acknowledged as being the first rock/pop band to play behind the Iron Curtain, touring Poland with Helen Shapiro. Later as fashions changed they morphed into The Robb Storm Group.
In 1966 they covered the Beach Boys track, "Here Today". 

Finally when the psychedelic revolution arrived they renamed to Orange Bicycle. The first single from Orange Bicycle, "Hyacinth Threads", was a #1 hit single in France, and quite successful in some other European countries. It was their best known recording, and has appeared on numerous compilations.

In 1968 the band started to cover The Rolling Stones' "Sing This Song All Together". The same year they performed at the Isle of Wight Festival.
In July 1969, they appeared on BBC Two's television programme, Colour Me Pop. Their most successful album, Orange Bicycle, included covers of "Carry That Weight", "Tonight I'll Be Staying Here With You", "Say You Don't Mind" and "Take Me to the Pilot".

The band broke up in 1970.

Early members:

Robb Scales (lead vocals) 
Jim St. Pier (saxophone) 
Chuck Hardy (Guitar) Gary Hooper (Bass)
Lewis Collins (Bass) 


Members:

Robert F Scales lead singer (under his stage name Robb Storm)
John Bachini (Bass, guitar, vocals)
Kevin Curry (Drums)
Bernie Lee (Guitar, vocals)
Wilson Malone (Keyboards, Drums, vocals)



Hyacinth Threads: (only to see on YouTube) http://youtu.be/zX8tP88RcSE

Trip on a Orange Bicycle: (only to see on YouTube) http://youtu.be/s0UzKZtR2RM




Albums:

The Orange Bicycle (Parlophone PCS 7108) 1970
Hyacinth Threads: The Morgan Blue Town Recordings (Edsel MEDCD 688) 2001 (double album compilation)




Source: Wikipedia



Pink Floyd (Photos)








Thursday, March 28, 2013

Quintessence (psych rock, prog rock / UK)

Quintessence is a rock band formed in April 1969 in Notting Hill, London, England. The style was a mixture of jazz, psychedelic rock and progressive rock with an influence of music from India. Quintessence was among the first true progressive rock outfits signed by Island Records.

Genres: Psychedelic rock, Progressive rock, Raga rock


Years active: 1969–present


The original line-up included the Australian born, Shiva Shankar Jones (voice, keyboards, percussion), Raja Ram (flute, percussion), Sambhu Baba (bass guitar, guitar), Maha Dev (guitar), Allan Mostert (lead guitar, bass guitar, sitar), and Jake Milton (drums, percussion). All of them, in addition to a common interest in Indian music, also shared the Hindu faith. Quintessence were tagged a 'spiritual' band, but were playing New Age rock before the term was born.


The group’s roots lay in the hippie community in the Notting Hill area, which was to London roughly what Haight-Ashbury was to San Francisco. Their breakthrough performance took place at a festival called Implosion, where they put on a good enough show to get noticed by Island Records, which signed them and got their debut LP, an elaborately packaged concept album entitled In Blissful Company, out before the end of the year. Its mix of rock, jazz, and Indian elements was popular enough at the time with their core audience, especially one track entitled “Notting Hill Gate,” a tribute to the hippie community, which found a slightly wider audience; the band subsequently recut the song in a more pop-oriented rendition as a single. 

They rehearsed in All Saints Hall which was a converted church near Portobello Road, and recorded three albums for Island Records between 1969 and 1971, with two further albums recorded in 1972 for RCA. The first of the latter set, Self, featured studio material on side one, with the band recorded playing live at Exeter University, on 11 December 1971, on side two.
Not unlike the Grateful Dead, they did a lot of collective jamming with an intention to trance out their audiences by a forceful combination of the chanting of mantras with the Krishna flute lines and the lyrical guitar soloing. Often the local Hare Krishna disciples would provide an extra percussion section. Quintessence had their household guru in Swami Ambikananda.

They built a reputation on solid club work and were deemed London's Underground Sensation in 1970. Besides appearing at the first two Glastonbury Festivals (then called 'Fayres'), in 1970/71, they also were invited to play the Montreux Jazz Festival. At their peak they sold out the Royal Albert Hall twice.

On 18 September 1971 Quintessence played a benefit concert for Bangladesh at The Oval, Kennington. They appeared on a bill that included The Who, Mott the Hoople, Lindisfarne, Atomic Rooster, The Grease Band and America.

Although Quintessence played many hundred of concerts and festivals all over Europe, they turned down a U.S. record deal negotiated by Island Records' Chris Blackwell and did not play at a concert at New York's Carnegie Hall lined up in early 1972, or tour the U.S., because four of the band's members wanted a larger monetary advance. This disappointed Blackwell and he dropped the band from the record label. Quintessence then signed with RCA and recorded one album with Jones and Dev. Raja Ram then unexpectedly 'fired' the pair after that album was released.

Jones and Dev went on to form the short-lived outfit called Kala. According to Jones, Kala broke up because Bradley's Records (a subsidiary of ATV) changed their policy towards their artists. They no longer wanted bands to make albums, and insisted on them being singles pop artists.

The Quintessence played on into the 1980s before breaking up.

Jake Milton went on to form Blurt with his brother Ted Milton.
Dev released his first solo album, and Jones' Quintessence continues to record spasmodically.
Raja Ram went on to help create the psytrance style of electronic music in the 1990s, and continues to produce electronic music to this day, being most well known for his involvement in Shpongle.

In 2010 Maha Dev's new Quintessence were invited by Micheal Eavis to play the 40th Anniversary Glastonbury Festival where they were joined by original vocalist Shiva Jones. This performance was recorded released as Rebirth: Live At Glastonbury in 2011. Maha Dev's Quintessence continue to perform sporadically in the UK recreating the 'classic' Island Records era Quintessence sounds. The rebirth of Dev's Quintessence was documented in a BBC 1 Inside Out programme which was aired in November 2010.


(Past) Members:


Sambhu Babaji - bass, acoustic guitar, Jew's harp
Dave Codling - rhythm guitar
Shiva Shankar Jones - lead vocals, keyboards, hand drums
Mike - sitar
Jake Milton - drums, percussion
Alan Mostert - acoustic & electric guitars, bass
Raja Ram - flute, bells, chimes, percussion
Surya - tamboura


Album: In Blissful Company (1969):





Discography:


In Blissful Company (Island Records, 1969)
Quintessence (Island Records, 1970) 
Dive Deep (Island Records, 1971) 
Self (RCA, 1972) 
Indweller (RCA, 1972)



Source: http://en.wikipedia.org/wiki/Quintessence_(English_band)



Wednesday, March 27, 2013

Polyphony (psych rock, prog rock, space rock / USA)



Polyphony was a short-lived US outfit active in the early 70's. The band; consisting of Martin Ruddy (bass, vocals), Christopher Spong (drums), Craig Massey (vocals, organ, moog), Glenn Howard (vocals, guitars) and Chatty Cooper (percussion); recorded the album Without Introduction which was released in 1971. 
On this creation they fused vintage symphonic prog with psychedelic tendencies. It is thought that the band disbanded soon after the release of this album; which was the only one made by this act.

For many years an obscurity sought after by collectors, the album has been available on CD for some time now; after a surge of interest and curiosity about this creation came at the start of the internet age. 

Polyphony's "Without Introduction" is renowned for being a highly-collectable and listenable album of psych/prog jams reminiscent of some of the British or Italian psych monsters from the early '70s. Released in 1971 on the Eleventh Hours label (Eleventh Hour 1003), this hard progressive rock outfit from Virginia features some stunning guitar and keyboard work, as well as a percussionist at home on congas, timbales and just about everything hittable. The band is definitely influenced by early UK exponents of prog including Keith Emerson, Steve Howe and Peter Gabriel. The stunning original artwork lends itself perfectly to the album's inspired music.


Polyphony - Without Introduction  (1971, USA ):

Full Album (only to hear on YouTube): http://youtu.be/uiV3EJ7WuwM


1. "Juggernaut": 

Following a methodical organ and bass-led introduction, this first piece adopts a Middle Eastern flavor with a series of piercing slide guitar chirps. The Moog line that follows is similar to Aquatarkus. In fact, I'm inclined to think of "Juggernaut" as "Tarkus, Jr." The bulk of the piece features dazzling organ runs, heavy electric guitar, and frenzied drumming. The vocal passage that appears nearly nine minutes in is reminiscent of early Genesis.





2. "40 Second Thing In 39 Seconds":

This oddly titled track is a brief synthesizer in tremolo mode, followed by deep tones. It is unfortunate that it was not developed into a full-bodied piece.


3. "Ariel's Flight":

The longest track begins in a dissonant fashion, seemingly borrowing from ELP's debut. The lead guitar makes use of a slide and volume pedal. For a while it takes on a pace similar to the Apocalypse in 9/8 segment of Genesis' "Supper's Ready."

4. "Crimson Dagger".

More organ and electric guitar working in tandem over a rapid rhythm section begins the closing opus. Midway through, it assumes a lighter, charming visage, topping it off with the best vocal performance on the album. 



Members:

Martin Ruddy - bass, vocals
Christopher Spong - drums
Craig Massey - vocals, organ, moog
Glenn Howard - vocals, guitars
Chatty Cooper - percussion


Source: YouTube


Southern Rock - History (documentary)

The history of Southern rock:







Monday, March 25, 2013

Nektar (prog rock / Germany)

Nektar (German for Nectar) is a 1970s English progressive rock band originally based in Germany.

Years active: 1969–1982, 2000–present


History:

The band formed in Hamburg, Germany in 1969, members included Englishmen Roye Albrighton on guitars and vocals, Allan "Taff" Freeman on keyboards, Derek "Mo" Moore on bass, Ron Howden on drums, and Mick Brockett on lights, special effects and other miscellanea. Songwriting was always considered a group effort.

The band's early albums such as Journey to the Centre of the Eye, ...Sounds Like This and A Tab in the Ocean were obscure psychedelic rock albums that won the band a small but growing cult following, based largely on word of mouth. The last of those albums was the first Nektar album to be released in the U.S., on the small Passport Records label.

It was Nektar's second U.S. release, Remember the Future (1973), that propelled the band briefly into mass popularity. A concept album about a blind boy who communicates with an extraterrestrial being, the music was a big leap forward for the band with a much more melodic sound than on previous albums. It shot into the Top 20 album charts in the U.S. 

The follow-up album, Down to Earth (1974), was another concept album with a circus theme; it also sold well, breaking into the Top 40 album charts and included Nektar's only song to chart on the Billboard singles charts, "Astral Man". 


The next album, Recycled (1975), was stylistically close to bands like Gentle Giant and is considered by many fans to be Nektar's finest moment.

Guitarist Roye Albrighton left the band just prior to the studio sessions to record Nektar's first major-label release, Magic is a Child (1977). Guitarist Dave Nelson joined the band after Albrighton's departure. The album was more eclectic, although with shorter songs and fairly straightforward rhythms-but many fans thought it was too pop-oriented; lyrically the album covered a wide range of subjects from Norse mythology and magic to more down to earth subjects like railroads and truck drivers. But there are some fans who considered the album a misfire and it proved to be the end of Nektar's brief popularity, although a few more albums were released, mostly live albums and compilations.



2002 - Present:

Nektar regrouped in 2002 and headlined NEARfest (opposite Steve Hackett) with a full line-up including synthesizer wizard Larry Fast. They also released their first album of new material since the 1970s, "The Prodigal Son". 
They followed this release up in 2004 with "Evolution". Recent members of Nektar have included Randy Dembo on bass, and Tom Hughes on Hammond organ alongside original members Albrighton and Howden. Dembo and Hughes left in August, 2006 citing communication problems, money issues, personality issues and trust in the management issues. 

All of Nektar's back catalogue has either been remastered and re-released or is in the process of being so. This includes "A Tab in the Ocean" which now features the original 1972 German mix, as well as an alternate 1976 "American" mix, "Remember the Future" with two bonus tracks in the form of two radio promo singles. 

The re-issue of "Recycled" features the original album release mix, and an alternate mix by Beatles engineer Geoff Emerick, something many fans found akin to hearing the music for the first time. Nektar's re-issue of "Down to Earth" contains seven bonus tracks, including hilarious out-takes by Robert Calvert. The re-issue of "Magic Is a Child" (an album which did not feature founding member Roye Albrighton) features amazingly clear sound, and four bonus tracks including a live-from-the radio version of "Midnight Light".


Roye Albrighton with Nektar (2005)
In 2006, the band found new management (Roy Clay) to replace The Eclectic Records staff, playing "Prog fests" around the globe on a part-time basis, and occasionally appearing in some of their old haunts in the New Jersey/New York area. Clay was subsequently released from management duties early 2007 after a dispute over financial matters.

The band also embarked on the production of a new album Book of Days. The album was released on 16 May 2008 on the Bellaphon Label. It features more of Roye Albrighton's guitar work than was on previous Nektar albums.
In mid-2007, a solo tour was undertaken by lead singer Roye Albrighton, to be followed by a full band tour of Europe (primarily Germany), and scheduled by a European-based promoter, but they had to postpone as extra funds were needed to complete the new album.
The band is currently completing work on a new album for 2012, titled Time Machine (formerly titled "Juggernaut"), and a covers album called A Spoonful of Time.


Members:

Roye Albrighton
Ron Howden
Klaus Henatsch
Peter Pichl


Past members: 

Derek Mo Moore
Allan Taff Freeman
Mick Brockett
Keith Walters
Larry Fast
Dave Nelson
Carmine Rojas
Dave Prater
Randy Dembo
Tom Hughes



"Remember The Future" (Full Album 1974):








Discography:

Studio albums:

1971 Journey to the Centre of the Eye
1972 A Tab in the Ocean
1973 ...Sounds Like This
1973       Remember the Future
1974 Down to Earth
1975 Recycled
1977 Magic is a Child
1980 Man in the Moon
2001 The Prodigal Son
2004 Evolution
2008 Book of Days
2012 A Spoonful of Time (Cover album)


Live albums:

1974 Sunday Night at London Roundhouse
1977 Live in New York
1978 More Live Nektar in New York
2002 Unidentified Flying Abstract - Live at Chipping Norton 1974
2002       Nearfest 2002 (Studio M Recording)
2004 Greatest Hits Live
2005 2004 Tour Live
2005       Door to the Future
2009 Fortyfied


Compilation albums:

1976 Nektar
1978 Thru the Ears
1994 Highlights - The Best of Nektar
1998 The Dream Nebula: The Best of 1971-1975


Source: Wikipedia

Friday, March 22, 2013

Astrology of the Hippy Movement


This is the dawning of the Age of Aquarius
Aquarius from the play "Hair" *

The Hippy Movement was less of a movement and more of an unseen force that permeated the minds and hearts of hippies around the world. In cities, on college campuses, in communes hippies everywhere were part of a collective consciousness that appeared rather suddenly in the 1960s. We shared a growing awareness of ourselves, our humanity, and our environment. As we interacted with each other we taught and learned about life, love, sex, drugs, peace, activism, freedom, cooperation, beauty, art, and music. What is so amazing about this font of knowledge is its source. Virtually none of it came from our parents (unless they happened to be very aware themselves). None of it came from our schools, government, or churches (unless you happened to be Buddhist or Hindu or Taoist already).

So where did all this knowledge and awareness come from? Astrologers point to the stars and the positions of the outermost planets, Uranus, Neptune and Pluto. Beginning in October, 1965 we witnessed a rare, powerful conjunction of Uranus and Pluto (it happens about once every 200 years or so). Uranus represents the urge to be free. It brings sudden changes usually by destroying the old to make room for the new. It replaces outdated attitudes with new, more constructive ones. Pluto forces us to transform and regenerate. It takes that which is sick, no longer of value and either destroys it or transmutes it via healing and cleansing into something useful and positive. When the two planets are conjunct (aligned together) their energy intensifies and focuses. Since the aspect occurred in the sign of Virgo, this means the focus was analytical, and critical with an emphasis on communication and service to others. The whole astrological scenario was extremely conducive to revolutionary ideas and activities, if not outright revolution.

A time for love, a time for hate, a time for peace, I swear it's not too late.
The Byrds (Turn! Turn! Turn!)


Indeed revolution was on the agenda, and might've happened, if not for another very profound astrological event that occurred in September 1966. This was a sextile (60?) of Uranus (again) and Neptune. This is another positive aspect that represented an unusual combination of powerful energies at work during the period. Again we have the need for freedom combined with sudden destruction of the old ways (Uranus), but this time creating new opportunities (sextile) for spiritual growth, artistic creativity, and idealism (Neptune).

Neptune is symbolic of the higher form of love. With Neptune in Scorpio, the sign of powerful emotions, enormous latent energy, and strong sense of purpose, it's no wonder there was an explosion of creativity and new ideas in the Arts and Music, as well as spiritual, sexual and chemical experimentation. This aspect, following after the previous one, probably helped people refocus their energies towards transforming themselves, and creating new forms of expression. There's no doubt that this aspect set the stage for the Summer of Love. Indeed in July 1967, this aspect occurred again (Neptune Retrograde), with Neptune going direct in August, emphasizing the lesson further!

The planet Uranus is key to the Movement's revolutionary ideas, originality, experimentation, and quest for freedom. Pluto made us toss out the old ways that were useless, transmute that which was worth saving, heal ourselves and our environment, and integrate those new transformative ideas into our collective consciousness.


C'mon people now, smile on your brother,
ev'ry-body get together, try to love one another right now.
Chet Powers (Get Together)


Neptune, the intuitive, idealistic, artistic, inspirational planet was directly responsible for the new forms of music and art that developed. But more importantly, as the higher vibration of Venus, the planet of Love, it helped us see and understand the true nature of universal Love. Love of all things, our fellow man, nature, the planet, the universe, even God, the very source of Love. It's no coincidence we called our awakening to this knowledge, the Summer of Love.

Neptune also represents escapism, drug use and abuse. This was certainly an important part of the Hippy culture. Besides all the wonderful, creative, inspirational tendencies these astrological events portray, there was a definite downside. Many kids dropped out of school, ran away, got addicted to certain hard drugs, overdosed and some even died. While Hippies relished their freedom, many refused to take responsibility for their actions. Fortunately, the Neptune aspects (conjunction and sextile) were very positive and the long-term effects were likewise very good.

These astrological events, because they involve the outer planets, occur over a long period of time, affect a large number of people, influence social structures and can bring about great changes that take many years to manifest. They also affect generations in different ways since our natal (birth) astrology differs (particularly the outer planets). Whereas one generation may be open to the changes, another might be highly reactionary, as was the case in the 1960s. Even though young people in the '60s had virtually no power (the voting age was still 21), our in-your-face, extremely vocal radicalism and the violent conservative backlash only served to underline the hypocrisies, outdated attitudes and serious failings of the system.

The deeper, more subtle, changes that the Hippy Movement generated are still being integrated into our social and political structures as well as our collective psyche. It appears that the confluence of planetary influences, combined with a rebellious open-minded generation, a range of innovative ideas, new powerful psychedelic chemicals, and increasing social pressures to conform, succeed, and fight an unwinnable war served to spark individually and collectively a far reaching transformation, unlike any seen before.

When people ask, "What happened to the Hippies?" they are wondering why the Summer of Love ended. Astrologically, planets and people change their positions over time. What motivated and inspired us astrologically no longer exists. Other forces dominate our lives at the present. However it serves no purpose to forget and bury the past. Let the past inspire us to improve our lives and those conditions surrounding us so that new generations may benefit from our wisdom and enlightenment.

The moral, social, ethical, and environmental dilemmas we face now are but a taste of things to come for our children and grandchildren. It's time we reexamine our lives, put the past in proper context, learn some important new lessons, and relearn some old ones. I believe that we all have within us this incredible store of knowledge and wisdom. Certain conditions bring it out, be they astrological, social, chemical, or spiritual. We must re-ignite the spiritual lamp so we can light the way for the generations to follow.

* By the way, the words to the song Aquarius (quoted above) weren't written by an astrologer and make very little sense since the moon goes into everyone's second house once a month, and Jupiter aligns with Mars almost once a year. Therefore they don't indicate anything like the "dawning of an age". (I suppose they could've been referring to the U.S. natal chart progressed into the 1960s, but I doubt it). However, the sign Aquarius is ruled by the planet Uranus which as you can see was the big influence during the Hippy Movement. I guess the "Age of Uranus" didn't quite have the same ring….


Text: Skip Stone (Hippy.com)



Thursday, March 21, 2013

Summer of Love 1967 (documentary)


The Summer of Love was a social phenomenon that occurred during the summer of 1967, when as many as 100,000 people converged on the Haight-Ashbury neighborhood of San Francisco, initiating a major cultural and political shift. Although hippies also gathered in major cities across the U.S., Canada and Europe, San Francisco remained the epicenter of the social earthquake which would come to be known as the Hippie Revolution. Like its sister enclave of Greenwich Village, the city became even more of a melting pot of politics, music, drugs, creativity, and the total lack of sexual and social inhibition than it already was. As the hippie counterculture movement came farther and farther forward into public awareness, the activities centered therein became a defining moment of the 1960s, causing numerous 'ordinary citizens' to begin questioning everything and anything about them and their environment as a result.
This unprecedented gathering of young people is often considered to have been a social experiment, because of all the alternative lifestyles which became more common and accepted such as gender equality, communal living and free love. Many of these types of social changes reverberated on into the early 1970s, and effects echo throughout modern society.
The hippies, sometimes called flower people, were an eclectic group. Many were suspicious of the government, rejected consumerist values, and generally opposed the Vietnam War. Others were uninterested in political affairs and preferred to spend their time involved in the aforementioned sex, drugs, and music.

Although the culture was based primarily on music and the rejection of established society, a large and colorful thread running through the social fabric at the time featured enlightenment through discovery and personal development, and the use of LSD and marijuana was significantly influential as a result. LSD -- also known as acid -- was extremely popular, and the perception-altering effects of the drug were often interpreted to be a path for evolution onto a "higher plane" of consciousness.

The final nail in the coffin came about in no small part due to the fact that by the end of the summer, most of the buzzwords therefrom had long since been re-appropriated as advertising slogans by the very commercialist-based culture they sought to escape. Additionally, for the entire summer, the tenderfooted and greenhorned hippie, unused to the daily realities of city life, inherently believed everyone to be `basically good'.But, once all the various types of ne'er-do-wells caught on and started following the hippies to town, that only led them to be seen as easy targets like vultures looking for carrion in the desert.
And then - after so many people left in the fall to resume their college studies, those remaining in the Haight wanted to signal the conclusion of the scene not only to themselves and their friends, but also to those still in transit or still considering making the trek as well. A mock funeral entitled "The Death of the Hippie" ceremony was staged on October 6, 1967, and organizer Mary Kasper explained the intended message therefrom as follows:
"We wanted to signal that this was the end of it, to stay where you are, bring the revolution to where you live and don't come here because it's over and done with."


https://youtu.be/9G8O7mkIjpM







Source: YouTube


Wednesday, March 20, 2013

Beau Dommage (prog rock, rock, folk rock, country / Canada)

Beau Dommage is a Canadian rock band from Montreal, Quebec, who achieved popular success in Quebec and France in the 1970s. The group's style included rich vocal harmonies and elements borrowed from folk and country music.


Years active: 1974–1978, 1994–1995
(Reunions : 1984, 1992, 2005, 2009)


History:

Beau Dommage started in 1972 as an offshoot of the creative association "La Quenouille Bleue". Pierre Huet, Robert Léger and Michel Rivard were soon joined by Pierre Bertrand. The next year Réal Desrosiers and Marie-Michèle Desrosiers, unrelated despite their identical last name, joined the band.
The group's first album, Beau Dommage, was released in 1974 and broke sales records at the time. The next year, Où est passée la noce? reached Platinum (as awarded by the CRIA before May 1, 2008, 100,000 units) on its first day of sales.The group met with considerable success on its yearly tours of Europe between 1975 and 1978, and also performed on numerous occasions in Quebec and the rest of Canada.
The group disbanded in 1978 and reunited in 1984 to perform twice and produce a live album. They reunited one last time in 1994 to produce a second self-titled album Beau Dommage and tour Quebec in 1995. They showed up during the 2005 Francofolies in Montreal when many artists decided to honour them.


Members:

Pierre Bertrand - guitar, bass, vocals
Marie-Michèle Desrosiers - keyboard, vocals
Réal Desrosiers - drums
Michel Hinton - keyboard (starting in 1975)
Pierre Huet - songwriter
Robert Léger - keyboard, flute
Michel Rivard - guitar, melodica, keyboards, vocals



Un Incident à Bois-Des-Filion (1975): 






Discography:

1974 Beau Dommage

1975 Où est passée la noce?
1976 Un Autre Jour Arrive en Ville

1977 Passagers

1988 Plus de 60 minutes avec... Beau Dommage
1991 L'intégrale (boxed set)
1992 Beau Dommage au Forum
1994 Beau Dommage

1995 Rideau


Source: Wikipedia




Tuesday, March 19, 2013

Minotaurus (prog rock, symphonic rock / Germany)

Minotaurus were an obscure 70's band from Germany, who recorded 2 albums with only one ever being released "Fly Away". Inspired by the story of the Mintaurus living in King Minos' Labyrinth on Crete this 6 piece band deliver an album full of organ roaring progressive rock. This album although essentially a symphonic mindmelt does also blend in psych and space dimensions into their sound. Their overall sound is quite rich with a good chunk of mellotron and deep bass lines. Vocals (Peter Scheu) are sung in English and fit the music quite well. Instrumentally this band were amazing with inspiring and pompous keyboard leads, mellotron atmospheres , great guitar , bass and drum interplay. Overall sound carries allusions to Novalis, Marillion and Eloy.

Minotaurus were actually formed in 1972, and played together up until the album "Fly Away" was recorded, when the group lost of its guitarists and silently withered away without so much as a tiny splash resonating in the vast musical oceans. So one album in 6 years as it turns out... What one should take away from this information is, that during what seems to be a somewhat longish embryonic state of being, Minotaurus obviously developed some remarkable chops - taught how to play together as a band - and first and foremost got to know the ins and outs of each member. This comes across, when you start listening to Fly Away almost immediately. All the pieces fit perfectly together, and there´s a sense of professionalism in the craftsmanship, that you normally only get from bands who´s been playing together for years on end.


Personnel:

- Peter Scheu - vocals
- Dietmar Barzen - orgel, mellotron, clavinet, synthesizer
- Bernd Maciej - bass
- Ludger "Lucky" Hofstetter - guitars
- Michael "Micky" Helsberg - guitars
- Ulli Poetschulat - drums



Discography:


Album: Fly Away (released in 1978) 

(Full album only to listen on YouTube: http://youtu.be/YaAMBSYT0W8 )

Tracks Listing:

1. 7117 (6:47) 
2. Your Dream (5:40) 
3. Lonely Seas (4:42)
4. Highway (3:20) 
5. Fly Away (13:20) 
6. The Day The Earth Will Die (4:40) 
7. Sunflowers (3:59)



Fly Away: (only to listen/see on YouTube http://youtu.be/LfzzR6FboDA




7117:




Monday, March 18, 2013

Michael Yonkers (psych rock, rock / USA)



Michael Yonkers (born 1947) is an American rock musician from Minneapolis, Minnesota, United States.
His most well known work is a psychedelic rock record from 1968 called Microminiature Love, which was released on vinyl by De Stijl records in 2002, and later Sub Pop, who released it on CD in July 2003.


Michael Yonkers has to rank among American rock’s most intriguing eccentrics. His adolescent obsession with garage and surf eventually developed into a fascination with gadgetry that would inform his band’s dynamic brand of rock primitivism but also indirectly cause him years of health problems. Recording with his own modified guitar (a sawed-down Telecaster he still plays today) and homemade effects, Yonkers released five little-heard albums on his own label in the mid 1970s. 
But then in 1971, he broke his back in an accident at the electronics factory where he worked; years of surgery and an allergic reaction to dye used in X-rays caused a degenerative spinal condition which Yonkers now treats through dance. Now in his 50s, Yonkers is a prominent figure in the Minneapolis dance community for years and he occasionally still plays live music as well.

Recorded in 1968 when Yonkers was still a teenager, Microminiature Love provides another link between the dirty swagger of ’60s garage and the angry hallucinations of ’70s punk. The record’s incredibly cruddy production style (it sounds like it was recorded straight to tape in an echoey basement) recalls Stooges outtakes, while its dark, dissonant rhythms and zany flavor presage Pere Ubu. With its cheap guitar pyrotechnics, layers of distortion and weird effects, and Yonkers’s gloomy vocals, Microminiature Love was the kind of album that would have driven Lester Bangs into fits of frothy-mouthed ecstasy. Only Bangs never heard the record, because a deal with Sire to release it fell through and Microminiature Love languished in unreleased obscurity until 2002, when De Stijl Records rescued it with a vinyl-only release. Sub Pop’s new CD version adds six previously unreleased 1969 demos.



Microminiature Love (1968, Full Album) : https://youtu.be/RqgT2r-j_gE :












Sunday, March 17, 2013

Klaatu (prog psych and space rock, psych and power pop / Canada)


Klaatu was a Canadian progressive rock group formed in 1973 by the duo of John Woloschuk and Dee Long. They named themselves after the extraterrestrial Klaatu portrayed by Michael Rennie in the film The Day the Earth Stood Still. After recording two non-charting singles, drummer Terry Draper was added to the line-up; this trio would comprise Klaatu throughout the rest of the band's recording career.
In Canada, the band is remembered for several hits, including "California Jam" (1974), "Calling Occupants of Interplanetary Craft" (1977) and "Knee Deep In Love" (1980). In the U.S. "Calling Occupants" b/w "Sub-Rosa Subway" was a minor double-sided hit and their only chart entry, peaking at No. 62 in 1977.

The band is also remembered internationally for rumours that they were actually The Beatles recording under a pseudonym. Klaatu themselves did not start these rumours and always flatly denied them, and indeed no Beatle was ever involved in the writing, recording or production of any Klaatu material.

Years active: 1973–1982, 1988, 2005


Past members:

John Woloschuk
Dee Long
Terry Draper



Hope: 



Madman: 



Long Live Politzania:






Discography:


Original studio albums:

3:47 EST (1976)
Hope (1977)
Sir Army Suit (1978)
Endangered Species (1980)
Magentalane (1981)

Compilations:

Klaatu Sampler (1981)
Klaasic Klaatu (1982)
Peaks (1993)
Sun Set (2005)
Raarities (2005)
Solology (2009)


More info: http://en.wikipedia.org/wiki/Klaatu_(band)



Friday, March 15, 2013

Pandora (prog rock / Sweden)


Pandora was founded in Norrkoping, Sweden (1971) by drummer Bertil Jonsson and on guitar Urban Gotling. Later joinded by the singer Peter Hjelm and on keyboard Janne "Flojda" Dockner. Gotling was replaced by Åke Rolf (fd H2O) and Leif Hellqvist. This line up recorded "Measures of Time" 1974. 

Pandora had their workshop at this time on the top floor of Bergaskolan in Soderkoping. 1976 Hellqvist quit. He went over to play danceband-music (the rumour says that his girlfriend couldn't dance to Pandoras music, so..) At the same time also Bjorn Malmqvist quit. He started study music. New members came: On keyboard Uffe Stern and on base Gunnar Hermelin (fd Madeira). This line up where 1978 on swedish radio "Tonkraft" and recorded the single "Makten och Harligheten". 
They also did concerts in Horsalen Norrkoping together with bands like "Trettioariga kriget" and "Kaipa".


One goal of Lennart*s were to make the group sound the same, whether live on stage or recorded on disk, or vice versa. Over the years he refined their sound equipment and brought the mixing desk out in the audience, where he resided as sound master, later substituted by Göran Hanning. In 1979 Pandora released the single Makten och Härligheten, with lyrics in the Swedish language. The lyrics were written by Nils Lagnström. Nils was also Pandoras manager from 1977 until the group disintegrated in 1980.

The Band had under these years a record shop "Rockslag" Nygatan in Norrkoping. The shop became a little centrum of culture for recordfreaks, to gather in, have a coup of coffe and talk abouth music. The shop went bankrupt in 1980. Bands that inspirered Pandora was Genesis, King Crimson, Gentle Giant, Camel, Wishbone Ash, Jethro Tull, Uriah Heep and Weather Report. 


From the start Pandora played harder rock but went over to more jazz-symfonic rock when Stern och Hermelin joined. The last demo was recorded in 1980 on Stage & Music in Norrkoping.

Pandora disbanded in 1981.

Pandora came to be an inspiration to the band Tribute, and their members Gideon Andersson and Per Ramsby often visited Pandoras concerts. Ramsby even played in some concerts as a replacement for Uffe Stern. Janne and Uffe and later Åke Rolf and Gunnar Hermelin continuied to play in "Flojd & The Boys" that was in -75.

The tapes from a recording session in Söderköping 1976 is found, migrated and mixed again with outmost care not to wash out the original sound. What was supposed to be a demo became a time document in the form of a new album with Pandora's music. Be seated in your favourite armchair, crank up the volume and enjoy the music made and recorded by seven youngsters in the year 1976 (33 years ago). This music have only been heard live before. It's unique.



Personnel:

- Peter Hjelm - Vocals
- Björn Malmqvist - Bass
- Åke Rolf-  Guitar
- Jan Eric Dockner - Keyboard, Piano
- Leif Hellqvist - Guitar
- Berra Jonsson - Drums
Urban Gotling - Guitar
Uffe Stern - Keyboard
Gunnar Hermelin - Bass


Discography:


1974 - Measures of Time



Measures of Time (1974):